OH
搜索"OH" ，找到 2292部影视作品
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卢克·沃森
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BBC台和Peter Moffat的野心之作The Village在提名了三项BAFTA奖之后进入第二季，匹克地区的小村故事告别了艰难惨痛的一战，带着隐隐作痛的旧伤口拥抱欢快的爵士乐时代。新的时代带来新的技术和对政治、爱情、性的不av免费无码天堂在线同观念，冲击着村民的日常生活。爱因斯坦、玛丽•斯特普、无线通讯、电力、真空吸尘器、包装薯片和查尔斯顿舞夹杂在源源不断的新事物中涌入小村，工党第一次执政，雪莱的"Ye are many, t野花社区视频最新在线观看hey are few"铿锵在耳，仿佛万事皆有可能。年轻的Bert走出单相思初尝爱情的甜蜜；Grace Middleton寻找能代表劳动者和女性的政治声音；Edmund Allingham追逐权力并和另一位男性陷入爱河；村里迎来了第一位黑皮肤的访客；学校的教室里的也孕育着爱情之花……且看这场社会变革如何通过一个平凡村庄的故事展现
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泰特斯·卡普哈尔
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A renowned painter who rose from an impoverished past, must confront his once highly abusive addict father, La’Ron, after 15 years of distance between them. Although La’Ron claims to have been reformed by his new relationship with Christ, their reconnection stirs up buried trauma, launching Tarrell into incendiary anxiety, and sending destructive shockwaves through the family. Tarrell must decide if he’s able to forgive, or if he will cut off his father forever.
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Jeff Hamm
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三位警探竞相抓住一群淘气的门廊海盗,找回市长最珍贵的帽子宝宝,同时还在应付他们自己的假日混乱。在这个欢乐的冒险中,跟踪三个专门的侦探杰克泰勒,马科斯费尔南德斯和萨莉琼斯,当他们开始逮捕一个邪恶的走廊海盗团伙的任务。这些侦探不仅是为了保护节日精神,而且是为了应对自己生活中的挑战。杰克·泰勒警探以其活泼家庭的起起落落来应付他要求很高的职业生涯。泰勒家族为侦探们寻求恢复被偷走的圣诞节快乐提供了一个滑稽的背景。杰克的姐夫马科斯·费尔南德斯警探是一位在节日期间挣扎的鳏夫。失去了心爱的配偶,他发现再次拥抱圣诞精神是一个挑战。在他们追捕门廊海盗的过程中所发生的事件会帮助他重新发现节日的快乐,并治愈他受伤的心吗?"门廊海盗"作为一个令人激动的猫和老鼠游戏展开,当侦探们接到来自市长官邸的求救电话时。一个极有价值的帽子宝宝被从市长的门廊上抢走,给镇上的圣诞庆祝活动投下了阴影。有了这个压力,我们勇敢的三人警探们能在圣诞节前把这个珍贵的帽子宝宝带回来吗?加入我们的旅程,充满了诙谐的玩笑,意想不到的曲折,以及一点节日的魔力。"门廊海盗"是一个温馨的故事,它提醒我们,圣诞节的真正精神在于聚会的欢乐,欢笑,以及追求完美的礼物-即使这有点不同寻常。
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John Nicolella
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庫爾（凱文索柏）是個四處為家、驍勇慓悍的流浪戰士，一日，他來到凡路西亞國，以高超的劍術與過人的勇氣，意外地成為該國的新國王，凡路西亞舉國歡騰，然而卻有個人懷恨在心，那就是邪惡的蛇蠍女巫艾琪瓦夏（蒂亞卡瑞拉，「反斗智多星」），她欲控制凡路西亞國，於是用盡一切手段誘惑庫爾與她成婚，婚後便一步步擴展她的惡勢力。當庫爾發現新娘艾琪瓦夏的陰謀後，一切都已來不及了，唯一能毀滅她的武器就是--"瓦卡的氣息"，瓦卡是隱居在洞穴中的北方之神，庫爾必須出海找到瓦卡，偷取他的氣息為武器。如今，凡路西亞全國人民的安危繫於庫爾的手上，於是他揚帆啟航，展開一段驚險萬分的旅程，航向不可預測的未來…此片是根據作家勞勃霍華的小說改編而成，他的作品「王者之劍」曾在1982年捧紅了阿諾史瓦辛格。
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雅克·克龙
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Annie just graduated college. As she falls into an aimless summer, she finds herself entangled with Tyler, a woman she meets at a bar and Danny, Tyler's co-worker or best friend or…? Annie can never tell. The film follows Annie through a summer of self-discovery as she, Tyler, and Danny each battle for unrequited connection, ultimately helping Annie find her voice in desire and independence.
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艾莉森·巴格纳尔
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Reeling from her husband's affair, Rose collides with a marooned teenager in a boarded-up Delaware beach town. Devastated by the news of her husband's affair and convulsed by waves of grief and rage, twenty something Rose (Greta Gerwig)-vengeful, a bit unhinged, and still clad in her pajama bottoms-drives to a sleepy seaside town in Delaware intent on finding her spouse's lover. Climbing into an old lighthouse on the beach to swill a six-pack of beer, Rose stumbles upon a sleeping British teenager (Olly Alexander) whom she wakes and insists on taking somewhere. Stranded by some unknown party, the chatty, ludicrously attired youth accompanies Rose to a brewery where "the other woman" was recently employed and then to her parents' summer getaway house, slowly attuning to her anguish. As the grey winter days roll by, the mismatched pair embark on a series of frolicsome adventures-English dance lessons, role-playing in public-that bring them into closer quarters, igniting a bittersweet, perhaps imaginary romance. This quirky romantic comedy follows Rose (Greta Gerwig), whose life changes after discovering her husband s affair. She later crosses paths with a marooned teenager in a boarded-up Delaware beach town and begins a delicate friendship. This engaging and insightful film will make audiences appreciate change for better and worse.
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苏·霍顿
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蓝鲸（学名：Balaenoptera musculus）是一种海洋哺乳动物，属於鬚鲸亚目。蓝鲸被认为是地球上曾经生存过体型最大的动物，长可达33公尺，重达181吨。 蓝鲸的身躯瘦长，背部是青灰色的，不过在水中看起来有时颜色会比较淡。 目前已知蓝鲸至少有三个亚种：生活在北大西洋和北太平洋的B. m. musculus；栖息在南冰洋的B. m. intermedia与印度洋和南太平洋的B. m. brevicauda（也称侏儒蓝鲸）。在印度洋发现的B. m. indica则可能是另一个亚种。与其他鬚鲸一样，蓝鲸主要以小型的甲壳类（例如磷虾）与小型鱼类为食，有时也包括魷鱼。 直到20世纪初，在世界上几乎每一个海域中，蓝鲸的数量是相当多的。在超过40年后，捕鲸者的猎杀使牠们几乎灭绝。直到国际社会在1966年开始保育蓝鲸后，蓝鲸的数量才逐渐上升。一份2002年的报告估计目前世界上蓝鲸的数量在5,000至12,000隻之间，并分佈在至少5个族群中。最近对於侏儒蓝鲸的研究显示这个数字可能是低估了实际的数量。在捕鲸活动开始前，蓝鲸最大的族群是在南极海域，估计大约有239,000隻（范围介於202,000与 311,000之间)。目前在东北太平洋、南极海与印度洋的数量已经比以前要减少非常多（大约各只有2,000隻）。在北大西洋则有2个更大的集团，在南半球至少也有2个集团。
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比尔·普莱姆顿
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这部片可以是加了幽默的《Akira》，添了人情味的《RoadRunner》，动画版的《低俗小说》（Pulp Fiction）。一个关于一对新婚夫妇在新婚之夜发生的温馨故事。丈夫格兰特（Grant）突然得到奇异的超自然力量，与此同时妻子凯丽（Kerry）窘于应付。无论何时，只要Grant一想什么，就会变为现实，尽管他并不知道这些魔力来自哪里。他从此成为清谈节目的风云人物。拉森·扎尔斯（Larson Giles），笑笑公司（Smile Corp.）老总，一个Ted Turner型媒体巨头，派遣他的私家军团，由粗暴但无脑的菲古森（Ferguson）上校率领，去绑架格兰特，以便霸占全球媒体收视率。接下来就是电影史上最暴力和奇怪的对战之一。除了多个足以开罪所有人的极端暴力画面，还有曾被称为“电影中有史以来出现的最怪异和滑稽的性场面”。
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Ignacio Ma
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安娜和麦克结婚了。保罗是西莉亚的父亲。他们都有秘密要隐藏。他们都是由一个不清楚意图的神秘团体联系的谁知道真相。一部令人印象深刻的缓慢燃烧独立戏剧惊愕片,具有真正的风格感。一直让你猜。使你思考。这个故事在已婚夫妇安娜和麦克之间交织在一起,由丽贝卡·卡列恩达和迪伦·鲍德温扮演,保罗·德维德尼和弗兰西斯卡·海曼扮演父女保罗和西莉亚。他们都是通过这个神秘的团体以各种方式联系他们,拉着绳子,呃,一个叉联系在一起的。..如果你在追求某种快节奏的好莱坞电影的情节,那么这可能不适合你,但如果你的心情有所不同,你的注意力超过几分钟,那么值得一看。[AI=4]演员们的一些精心策划和深思熟虑的表演,有趣的故事和精彩的故事。
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Johan Grimonprez
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内详
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Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade. Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.