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Johan Grimonprez
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Based on the book of The Shadow World, this feature length documentary is an investigation into the multi-billion dollar international arms trade. Directed by Johan Grimonprez and based on Andrew Feinstein’s globally acclaimed book The Shadow World: Inside the Global Arms Trade, the film SHADOW WORLD reveals how the international trade in weapons - with the complicity ofgovernments and intelligence agencies, investigative and prosecutorial bodies, weapons manufacturers, dealers andagents - fosters corruption, determines economic and foreign policies, undermines democracy and creates widespreadsuffering. SHADOW WORLD posits an alternative through the experience of a peace activist and war correspondent, aswell as the stories of Eduardo Galeano. But ultimately the film reveals the real costs of war, the way the arms trade drives it, how the weapons ofwar are now being turned against the citizens of liberal democracies, and how the ‘shadow world’ is taking over. In the hopes that in understanding how our realties are being constructed, audiences may see through this horror, and create a better future… (more info on cinando.com)
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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Rohit Jugraj
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Jatt James Bond is the story of a School Bus Driver – Shinda (Gippy Grewal) who is in love with Lali (Zareen Khan). Shinda is a poor orphan who just has a bunch of friends who are his life. They are played by Gurpreet Ghuggi and Yashpal Sharma. All 3 are having their different set of problems and are finding ways to tackle them. In order to solve their problems collectively, they decide to rob a bank with a hop that they would find the money, which would solve their problems. And the Thrill begins once the bank is robbed.
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Frank Pérez-Garland
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A single mother and the man who has not been able to forget her since she was 23 years old. A woman who yearns to be a mother and a single father in her fifties who only thinks about her. A discouraged man who starts dating a driver who gives love advice on the radio. And a mature woman who comes from Miami looking for new experiences. A crazy and funny musical comedy where the characters will discover that it is never too late to be crazy again of love.
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伊恩·邦霍特,皮特·艾德盖
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前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪，只能依靠呼吸机呼吸，此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特（Ian Bonhôte）和彼得·埃特迪吉（Peter Ettedgui）巧妙地将时间前后推移，编织出双重叙事，探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变：1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前，里夫让世界相信人类可以飞翔；他的意外事故让全世界关注残疾。 在《超/人》中，里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众，突出了超人背后的那个人——这不是一部传记，而是一幅完整的肖像，涵盖了里夫人生旅途中的辉煌和黑暗。
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Ali Zamani
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Beauty Blogger Alexa Landry only had one fear, plastic surgery. Sh苍井空大尺寸视频大全e ultimately had to face this fear when she was kidnapped with her f重生我的书记人生riends by Dr. Cunningham. A deranged plastic surgeon who is obsessed with beautifying his vi新三国免费观看完整版ctims.
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梁志强
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从上海转学到新加坡的六年级小学生梓豪（周俞辰 饰）在学校很快就有了一群好朋友，其中包括：全校公认的学霸Jayden（江松恒 饰），想子承父业卖鱼圆面的小胖（黄智扬 饰），还有乐于助人的班长佳瑶（吴委恩 饰）等。 小升初考试号角即将吹响，梓豪的妈妈文秋霞韩国理伦电影在线观看婷（胡静 饰）打响第一枪，她不惜辞去工作来到新加坡伴读。文婷为了提升梓豪的成绩花样促学，听从“军师”太太团给出的各项奇招，背字典、背小说等等。两人百般过招中梓豪不负母望成绩稳步提升。梓豪的进步引起了老“卷王” Jayden妈妈（柳胜美 饰）的危机感，她身经百战、战绩赫赫随即下场应战，双方交手你来我往局面一度十分混乱。而学校更是派来了年轻帅气的李老师（容启航 饰）草木留来引导孩子们更加勤奋刻苦学习，一场为了升入名校的较量开始了……
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文森特·佩雷斯
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Paris, 1887. Duels have been officially outlawed but are still regul不住家保姆ar practice. For many, they are the only way to defend their honor. Fencing master Clément Lacaze tries in vain to prevent his nephew from engaging in an uneven duel with the more experienced Colonel Berchère. Marie-Rose Astié de Valsayre, a feminist fighting for women’s equality, tries to show that honor is not just a male affair. Actor and director Vincent Perez’s historical film makes excellent use of various forms of duels – with épées, pistols, an善良的小峓子2在完整版韩剧d sabres on horseback.
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Aor Wilawan
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梅丽（婉娜拉·宋提查 Vill Wannarot Sonthichai 饰）是口含着金汤匙出生的千金大小姐，天使看不过她的刁蛮任性，决定好好教一教梅丽做人的道理。她给梅丽提出了三个条件——与人为善、先人后己、找到真爱，如果不能够达成这三个条件，那么梅丽将永远变作一只青鸟。 一次偶然中，梅丽邂逅了死对头狄波（普提查·克瑟辛 Put Puttichai 高清录播系统直播饰），梅丽开始怀疑狄波觊觎着自己的家产，而狄波却在往后的时间里慢慢爱上了梅丽。在狄波的帮助下，梅丽隐藏了真实身份，潜伏在公司中成为了一位普通的实习生，失去了身份的光环，梅丽遇见了各种各样的困难和麻烦，她能够在信守诺言的同时将他人的刁难一一化解吗？
