Bila
搜索"Bila" ，找到 21部影视作品
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Carl Joseph Papa
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埃里克在菲律宾过着相当普通的生活，担任动画师。他住在一个不错但有些脏乱的公寓里，有一份收入不错的工作，还有一个他喜欢的人。然而，埃里克最显眼的特点是他没有嘴，字面意义上的没有嘴。一天，他接到了母亲罗莎琳达的电话，母亲让他去查看一下似乎失踪的叔叔。结果却发现叔叔已经去世多日。在他仍处于震惊状态时，一个熟悉的外星人出现，想要把埃里克带离地球。《Iti Mapukpukaw》是一部菲律宾伊罗卡诺语的转描动画电影，讲述了在熟悉的外星人到来和叔叔去世后，埃里克生活的曲折变化；这两件事都促使埃里克开始回忆过去并解开记忆的纠缠。
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让娜·拉布吕纳
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爱丽丝（伊莎贝尔·于佩尔 Isabelle Huppert 饰）是一名性工作者，奔放的个性和优越的外表让她成为了客人中的头牌，她自己也很享受这种放荡不羁的生活。然而，任何的日子过久了都会令人感到乏味，渐渐的，爱丽丝不再热爱自己的事业了，内心麻木而又空洞的她决定向心理咨询师寻求帮助。 爱丽丝预约的是一位名叫萨米耶（伯利·兰内尔 Bouli L我是黛玉我怕谁anners 饰）的心理医生，谁知道，萨米耶也正在为自己的职业而感到烦恼，他发现自己再也无法忍受他的患者们的那些滔滔不绝的乏味故事了。在这个节骨眼上，爱丽丝出现了，两人的身份神奇的发生了逆转，爱丽丝开始用自己特殊的方法，替萨米耶治疗他的职业病。
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法兰提塞·维拉席
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In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by Fran索多玛的120天 快播tišek A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed t多功能老婆在线观看hrough the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as八度电影 the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
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皮埃尔·保罗·帕索里尼
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获柏林电影节评审团大奖。影片取材于意大利文艺复兴时期薄伽丘的著名小说集《十日谈》，帕索里尼从中挑选了8个（亦有说10个）发生在那不勒斯等意大利南部地区的故事进行拍摄（原著中以佛罗伦萨地区故事为主），这些故事大多以揭露教会虚伪丑恶本质为宗旨，并鲜明地表现了作者对人性解放的肯定态度。 原著《十日谈》是意大利文艺复兴时期最重要的文学作品之一，它以十四世纪黑死病横行的时期为背景，通过十位青年所讲述的一百个故事，大胆鞭挞了当时天主教会的种种丑行，表现出平民阶层追求自由、摆脱宗教束缚的渴望。这部现实主义风格明显的作品堪称欧洲古典文学的杰作，被后人誉为和但丁《神曲》齐名的" 人曲"。 意大利新现实主义影片后期崛起的导演帕索里尼，延杜拉拉追婚记 电影续了自己六十年代以古代神话题材警醒当今世人的创作路线，以相对通俗化的手法连续改编拍摄了《十日谈》、《坎特伯雷故事》和《一千零一夜》三部古典名著影片，合称"生命三部曲"。因为这三部影片中裸露镜头较多，又采用了较为通俗的娱乐片路线，有的电影学者也称之为帕索里尼的"色情三部曲"。对此帕索里尼本人阐述了自己的创作观点："我向观众表现的是整个世界，封建的世界，在这个世界里，情欲极其深刻而狂热地起着支配一切的作用。……我要推出这个世界并且说：你们可以比较一下，我要向你们表明，我要向你们诉说，我要向你们提醒。"
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Nadira Amrani,Toby Macdonald,詹妮弗·谢里丹
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“Extraordinary” is set in a world where everyone develops a power on their 18th birthday… everyone, that is, except for Jen. She’s turning 25 and is still waiting to get hers. She’s not even fussy about what that could be: super speed? Laser eyes? The ability to plug in a USB the right way every single time? She’ll take it. Like a caterpillar surrounded by butterflies, Jen feels unable to move forward, stuck in a dead-end job in a party shop and occasionally hooking up with Luke, a flaky young man with the irritatingly cool里番acg资源 ability to fly. Luckily, Jen has Carrie to stop her from wallowing in her own self-pity. Inseparable since school, their relationship cycles between sister, parent, and wingman. Together they share an East London flat with Carrie’s long-term boyfriend, Kash. Carrie has the power to channel the dead but feels she’s been overshadowed by her own party trick: doesn’t anyone care about what she has to say? Kash takes his power – the ability to一个人的抗日 turn back time – very seriously, but he’s not above using it to undo minor embarrassments, or moments when he says exactly the wrong thing to long-suffering Carrie. The fourth member of the flat is a stray cat, named Jizzlord by the gang, who’s harbouring a surprising secret: turns out even cats have more power than Jen.
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The story begins in today Istanbul, when a woman called Işık (Bade İşçil) arrives at an old house. There she recalls the past and friends of her youth. Back in sss视频在线观看1998, a group of young people (Eda, Osman, Sinan and Kerem) studying in a school of Istanbul are at risk of exclusion because of their poor behaviour. They are very different from their classmates and, therefore, very lonely. A headmaster and most of the teachers are against them, and only one called Burcu (Pınar Deniz) does her best to protect the youngsters. However, they find out that Burcu is getting relocated, and this means that all of them will be excluded after her departure. In order to prevent this, s伊藤润二在线漫画tudents unite and make a plan: they will make Burcu fall in love so that she stays in Istanbul. According to the law, after marriage she will be able to choose a place of work by herself. They ask for help from Işık, an excellent student and a girl with a big heart. Soon she becomes a part of their company. This union helps the students change for the better, understand themselves, realize the importance of true friendship, find love and their own way in life. At the same time, their plan helps Burcu change her outlook on life and find true love with a new unsociable teacher called Kemal (Kaan Urgancıoğlu).
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布鲁诺·杜蒙
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Sous les dehors de la vie commune d'habitants d'un village de pêcheurs de la côte d’Opale, surgit la vie parallèle et épique de chevaliers d'empires interplanétaires. En proie aux luttes sanguinaires de ces clans à l'annonce de la naissance du Margat, Prince résurgent, mauve et immonde, Bête de la Fin des Temps, sis ici sur la Côte et marmot d'un jeune couple séparé, à l'ordinaire de leur condition dans un quartier résidentiel金品梅在线观看.